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This dark binding used with violin purfling is crisp and elegant.

Grand Concert No. 22 Build Gallery, Part Four

Freshly cut purfling and binding ledges.
Freshly cut purfling and binding ledges.
I use tape to hold the binding in place and wrap the body in cotton twill tape to clamp everything up tight.
I use tape to hold the binding in place and wrap the body in cotton twill tape to clamp everything up tight.
A sharp scraper is the tool of choice for cleaning up bindings.
A sharp scraper is the tool of choice for cleaning up bindings.
This dark binding used with violin purfling is crisp and elegant.
This dark binding used with violin purfling is crisp and elegant.
Here are the parts of my new floating tenon adjustable neck joint ready to assemble.
Here are the parts of my new floating tenon adjustable neck joint ready to assemble.
The tenon is glued to the neck and then bolted to the body.
The tenon is glued to the neck and then bolted to the body.
Posted on February 6, 2016March 7, 2017 by David
Posted in GuitarsTagged grand concert, no22

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← Grand Concert No. 22 Build Gallery, Part Three
12-fret Auditorium No. 23 Build Gallery, Part One →
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