Just in time to ring in the New Year, the mermaid banjo was strung and ready to play.

Rear view of banjo pot with partial internal resonator
The all-wood rim produces a warm, yet crisp sound with lots of depth.

She’s surprisingly resonant, with just the balance of tone with percussion we’d hoped for.  Bluegrass banjos, with their hard resonators and snare-drum-tight heads, tend to be brash and sharp; old-time banjos tend to err in the opposite direction, with large pots and loose heads to create a sound that’s more thump than tone. Amber had chosen this pot in the hopes of a goldilocks-like compromise between the two that would suit her light, melodic clawhammer style. Continue reading “Mermaid Banjo Splashdown”

Amber's 1929 Gibson TG-0 tenor guitarAs kids, along with the usual top 40 stuff, my brother and I listened to a lot of tapes  made off the radio in Springfield, MO.  We loved bluegrass and variety shows like Wayne Glenn (“The Old Record Collector”) and the perennially popular Riders in the Sky (heard on public radio, KSMU).

One particular tape was a favorite. It was an eclectic playlist, including the Andrews sisters and Tim O’Brien, Screamin’ Jay Hawkins and Bob Carlin, and Cryin’ Sam Hutchinson (C-H-I-C-K-E-N!). But our favorite number was called Freight Train Boogie, by the Delmore Brothers. Game changer, even for a ten year old. We wore that tape out. Continue reading “The TG-0 Story”